Art Gallery
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Editorial
Past Editorial
Joan Brown
On the Passage of a Few People through a Rather Brief Period of Time
Gwen Hardie
Kelly Akashi
Krista Svalbonas
Nancy Youdelman, "Dreamwork"
Ardent Mystics
Traditions, Honoring Heritage, Ritual, and Family
John Miller, “New Horizon”
Jónsi, “Vox”
“Six Scenes from Our Future”
David Fertig
Hugh Hayden, “Hughman”
Todd Gray
Jess T. Dugan
Ricardo Duffy
Luis Rivera Jimenez, “Race and Cultural Cosplay”
Hung Viet Nguyen
Tim Roda, “Vantage Points”
Ambreen Butt
Christopher Badger
Albert Contreras, “Albert”
Jeffrey Chong Wang
Fighting: Ukrainian War Photographers
Ed Moses, "Emptiness is Form"
Josephine Taylor
Cammie Staros, "Monster in the Maze"
Trees, Fox & Friends
David Schell, "Casual Plans"
Tony Feher
A Generational Change in Los Angeles
A Generational Change in Los Angeles
Jenny Holzer
Richard T. Walker, “Never Here / Always There”
American Art: The Stories We Carry
Ruhee Maknojia
Chris Johanson, "Untitled Tryiptych"
Darren Orange
Jeffrey Frisch, "Extreme Moderation"
Annetta Kapon
Asian Underworlds
Kiyomizu Rokubey VIII, “Ceramic Sight”
Junko Yamamoto
Joseph Kleitsch
JooYoung Choi
JooYoung Choi
Hank Willis Thomas, “I’ve Known Rivers”
Paho Mann, “Latent Constructions”
Ben Ashton
Brenda Mallory, “The North Star Changes"
Njideka Akunyili Crosby
Cara Barer / Alex Couwenberg
Elaine Reichek
Nick Vaughn and Jake Margolin
Celia Alvarez Munoz
Dishing It Out and Taking It: A Critic’s Comeuppance
John Roloff
Sophia Anthony, “Interior Motives II”
Melina Ausikaitis
Gaylen Hansen
Sarah Charlesworth
Paula Jean Rice
Walter Hopps
Delfin Finley, “Coalescence”
Preston Wadley, “Abstract Truth”
Ted Kincaid
Not Such Good Work If You Can Get It
Not Such Good Work If You Can Get It
Jónsi, “FLÓÐ (Flood)”
David Frazer
Barbara T. Smith
Marcus Lelle and Matthew Behrend
Refik Anadol, “Living Paintings”
Amalia Mesa-Bains: Archeology of Memory
Virgil Grotfeldt
Rui Sasaki, “Subtle Intimacy: Here and There”
Anish Kapoor
Bruton Sisters
Breyer P-Orridge & Eric Heist
“From the Ground Up”
Henry Jackson-Spieker
Daniel Nez
Jud Bergeron
Michael Davis, Richard Turner, and Paul Harris
Leslie Martinez, "The Secrecy of Water"
Alfred Conteh
Petra Cortright, “sapphine cinnamon viper fairy”
Ori Gersht
Edward Burtynsky, “African Studies”
XO Seattle
From Radicalism to Nostalgia
From Dawn to Dusk
The Aesthetic Case Against Escalation
I Was Here
Immersive Van Gogh
A Story about a Poet and Visual Art
“A Left Coaster Goes Home to Florida”
"For All the World to See"
Brian Sanchez and Neon Saltwater, “Energy Drink”
Inflection Point for a Would-be Digital Nomad
Artists of Color Offer Strong Personal Visions
Uncloseted: Historic Gay artists of Washington State
Kelsey Brookes’ Science-based Art
My Battle against the ‘P-word’
Pandemic Solutions
Grant Wood's Secret
Bradford Salamon
Splatters Against the Pandemic
Italo Scanga
Lawn Art
Heroes: Superman and Jackie O.
Ann Morton
An American Resurrection
What Are You Going Through?
Dakota Noot
Cultural Tensions in the High Desert
The Oakland Art Scene: In Place
Yasuyo Maruyama: Mind's Eye
Natalie Niblack
Rafer Johnson and the Special Olympics
Final Thoughts on Donald Trump
Elizabeth Turk, "Project: Look Up"
Yari Ostovany
Quiet “Violet Protest” Art Counters Noise of Hyperpartisan Era
Final Thoughts on Donald Trump
Flag Art Pinpoints Differences
In Defense of the Lowly Meme
VAS Endorsement for President
Artist of Conviction
Redressing Public Civility
Japanese-American Artists Remember the Camps
“I always wondered who your are”
Portrait of the Artist as a Novice Activist
Limbo
Notes on Net Art and a Return to Ghost City
The Pandemic Offers the Solution to Climate Catastrophe
The Ironic Despair of Shawn Huckins
The Squirrel Metaphor
Ian Schrager and the Boutique Hotel
Serfdom and Surfing
Ghost City: Neighborhood Walks
All Public Statuary Should be Abstract
A News Addict's Reflection
Through a Gallery Darkly
Paul Metivier: Silent Defiance
Laura Parker's Finch
Decomposed Art
Chris Revelle
Wait Til Next Year
Artist's Charts
Rachmaninoff’s Last Stand
The Real Voter Fraud: A Fable
Making a Difference
Three Brilliant Artists You Have Never Heard Of
Galleries in the Streets
Moby Dick in the Pandemic
Randi Matushevitz
Here We Stand
A Surprise Awaits
Our Antinomian Time
Leave Nothing Out
The New Cultural Paradigm
The New Cultural Paradigm
“Uncanny Valley”
With Pleasure: Pattern And Decoration in American Art, 1972-1985
Jacquelyn Royal
“In Flux: Chicago Artists and Immigration”
Francesca Lohmann and Rob Rhee
Leave Nothing Out
Apps for Art
Seeing Through a Stethoscope
Catherine Opie
Knowledge Bennett
Anna Bogatin Ott
Jessica Rath
Carrie Ann Plank
Coronavirus Message
Coronavirus Message
Amir H. Fallah
Barbara Kasten
“Signs of the Times”
Hillerbrand + Magsamen
Margot Voorhies Thompson
When Too Much is Not Enough
Apps for Art
Subhankar Banerjee
“Women in Neon”
John Baldessari
Robert Buelteman
Hannah Epstein
When Too Much is Not Enough
Mural Madness
When Too Much is Not Enough
John Upton
“The Lavender Palette”
Patrick Renner
Graphic Subversion
Friedensreich Hundertwasser
Get the Most Out of a Trip to the Museum
Mural Madness
Gregg Laananen
Net Art’s Archival Poetics
Darryl J. Curran
Naama Tsabar
Sophie Calle
On Susan Sontag
Get the Most Out of a Trip to the Museum
Nicola Roos
Nicole Fein
Julia Fish
David Eckard
Sámi Intervention / Dáidda Gážada
Currency as Art
On Susan Sontag
Francesca Woodman
Marjorie Norman Schwarz
Whitney Bedford
Joe Sola
Tess Mosko Scherer
The Rauschenberg Effect
Currency as Art
”Woven: Connections and Meanings”
“Abstraction in Photography”
Tania Candiani
Árpád Forgó
Donna Ruff
Rauschenberg Effect
Anne Le Troter
Damiàn Ortega
Laurits Andersen Ring
Tom Lamb, Soheila Siadate
Joel Swanson and Cody Hudson
Origin Story
Democracy's Trial
Deadness, Beauty, the Deep Past
Origin Story
Shirin Neshat
Adam Katseff
Judith Ann Miller
A Taste for Spain
E.J. Hill
Seiko Tachibana
Art for the Homeless
Deadness, Beauty, the Deep Past
Julie Mehretu
Peter Ferguson
Maria Hupfield
Isadora Stowe
Virgil Grotfeldt
Democracy's Trial
David Kessler and Jim Waid
Laura Fritz
"Layers of Existence"
“thread.”
Michael Peterson
Art for the Homeless
Wanda Koop
Jinie Park
Norman Lundin
Seiko Tachibana
Christopher Mir
King County Earthworks: 40 Years On
Danaë, Siberia, and the Shower of Gold
Florine Démosthène
Takahiko Hayashi
Edward and Nancy Reddin Kienholz
John Boskovich
Ann Johnson
Danaë, Siberia, and the Shower of Gold
Trey Egan
Tom Orr
Stephen Wilkes
Dornith Doherty
John Belingheri
Our Bodies, Our Art
Rufino Tamayo
Polly Apfelbaum
Philip Guston
Angela Faris Belt and Collin Parson
Dorothy Hood
Turning Guns into Art
The Beauty/Truth Problem
Gina Adams
Tomas Ochoa
Alicja Kwade
“Altered States”
Scott Johnson
Turning Guns into Art
David Aylsworth
Rodrigo Valenzuela
“Solidarity, Struggle, Victory”
Emily Matyas
Igor Melnikov
AIDS Art to Queer Art in the Northwest
Cate White Exposes Her Truth
Glenstone v. Photography
One Sculpture Renews a Museum's Story
AIDS Art to Queer Art in the Northwest
Reuben Wu
Cody Trepte
Judy Chicago
Sam Perry
Mary Ann Peters
Writing About Art
Darren Jones
Enrique Martinez Celaya
Gladys Nilsson
Fritz Scholder
Luis Gonzalez Palma
Play It Down
Art and Incarceration
Cate White Exposes Her Truth
Jason Middlebrook
Nari Ward
Julian Stanczak
“Coming Together”
Mary Iverson
“Groping in the Dark”
Cable Griffith
M. Louise Stanley and Diana Krevsky
Play It Down
Rag Bone Grace Truth
Art and Incarceration
Clark Richert
Assaf Evron
Kristen Cliburn
“Victorian Radicals”
John Armleder
From Gay Art to Queer Art in the Pacific Northwest (Part I)
To Swoon, Perchance to Dream
Shizu Saldamando
Bradford Salamon
Benny Fountain
Claude Monet
"Sin Fronteras"
Rag Bone Grace Truth
Anthony Hernandez
Daniel Ramos
Gina M. Contreras
Marianne Kolb
Kevin Tolman
From Gay Art to Queer Art in the Pacific Northwest (Part I)
Javier Peláez
Joe Clower
Christopher Jagmin
Michael Wright
Barbara Peacock
Eleanor Coen’s Pioneering Fresco
John Buck
Lagomorphs
Still a White People’s Place?
Configuring Language
To Swoon, Perchance to Dream
Eleanor Coen’s Pioneering Fresco
Jordan Casteel
Guillermo Kuitca
Natasha Bowdoin
David Beck
Suzette Mouchaty: Nudies in the Cube

Change Agent: June Wayne and the Tamarind Workshop
Francesca Longhini
Marian Carow and Deirdre Fox
Daniel Heimbinder
John Buck
Reconsidering the Art Museum Post #MeToo
This Must Be the Place
Lagomorphs
“Show Me as I Want to Be Seen”
Alexandra Grant
Inka Essenhigh
Shawn Demarest
Barbara Takenaga
Remembering Selma Waldman, Activist Artist
Still a White People’s Place?
“Seattle Style: Form/Function”
Lynn Aldrich
David Michael Lee and Beverly Jacobs
James Drake
Justin Adian
Configuring Language
Peter Gronquist
Sean Healy
“Dilexi Gallery: Early Years”
Anthony Lepore
Susan Burnstine
My Own Private Artspeak
Never Look Away
Dancing Across Genres, Medium Serving Message
The Pros and Cons of Juried Exhibitions
Reconsidering the Art Museum Post #MeToo
Hiromi Takizawa
Esao Andrews
Karl Wirsum
Suzanne Lacy
Virginia Folkestad
Charles White
In Praise of Art Criticism
Performance Art is Where Liberal Humanism Thrives
This Must Be the Place
Inez Storer
Mark di Suvero
Agnes Pelton
Ellen George
Jane Rosen
Remembering Selma Waldman, Activist Artist
My Own Private Artspeak
Mildred Howard
“A Patterned Language”
Carmen Menza
Alejandro Diaz
Natalie Christensen
Matthew Porter
“Docufiction”
Ward Schumaker
“The Body is Work”
Derek Boshier
Never Look Away
“Contemporary Artists Explore Opera”
Leigh Merrill
“Art in the Age of the Pilchuck Glass School”
Javier Valle Pérez
Dancing Across Genres, Medium Serving Message
Jeff Krueger and Terri Rolland
Allen Ruppersberg
Hadley Radt
Lisa Solomon
Douglas Miles
A Beautiful Mess
Art Films
The Pros and Cons of Juried Exhibitions
“Solidary and Solitary”
Takashi Murakami
“Beyond the Framework”
Floyd Newsum
Sherrie Wolf
Charles White
Carrie Ann Baade
David A. Clark and Yuri Fukouka
Sterling Ruby
Chelsea Ryoko Wong
Fought and Pittman
What I Didn’t Take Pictures of in Nepal
Painting for the Green New Deal
Two Novels for Millennials
In Praise of Art Criticism
Piero Manzoni
American Stories: David Hurn, David Graham and Bill Owens
John Buck
Joseph Paul Gerges
Jamey Hart
Performance Art is Where Liberal Humanism Thrives
"Native Perspectives, 1950s to Now”
“Self-Help Graphics, 1983-1991”
Brigitte Carnochan
Tomiko Jones
Kay Hofmann
That Minimalist Wall
Civics Lesson from a Mural
A Beautiful Mess
Sasha Pierce
Nikki S. Lee
Finnbogi Pétursson
Cheryl Ann Thomas
Ian Davenport
Art Films
What I Didn’t Take Pictures of in Nepal
Kenturah Davis
Albert Contreras
James Martin
Benito Huerta and Janet Chaffee
Sabina Ott and Dana Berman Duff
Pablo Picasso
Yoshitomo Saito
“Dazzled: OMD, Memphis Design, and Beyond”
Paul Kremer
Diana Al-Hadid
Painting for the Green New Deal
Paige Pinnell
Mayme Kratz
Martha Friedman
Liss LaFleur
Irina Rozovsky and Manjari Sharma
Art and Houseplants
Black and Blue
Melting Pot Aesthetics
Two Novels for Millennials
That Minimalist Wall
Deborah Boardman
Urs Fischer
Sharon Kopriva
Laura Ball
Rebecca Reeve
Trenton Doyle Hancock
Viola Frey
Judithe Hernández
Timothy Harding
Tara Donovan
“Romantic Songs of the Patriarchy”
Civics Lesson from a Mural
Laura Davis and Dan Devening
Mokha Laget
“Poetic Imagination in Japanese Art”
Alfredo Arreguín
Rick Bartow
Art and Houseplants
Loring Taoka
“Exposure: Architecture and Landscape”
Ray Brown
Theodora Varnay Jones
Ebony G. Patterson
Portland Evolves from Figure to Field
Black and Blue
Midterms -- Where Will You Be?
Diego Pérez
Daniel Brice
John Fudge
Georges Rouault
“Between Here and the Machine”
Melting Pot Aesthetics
How to Bump into a Sculpture
Matt Wedel
“California Fibers: A Matter of Time”
Sonya Clark
Seamus Conley
“Romantic Songs of the Patriarchy”
Matthew Picton
Margie Livingston
Jim Carrey
Ward Sanders
Etsuko Ichikawa and Peter Olson
Liminal Art
When Artists Play with Fire
Never Give a Inch
Chicago Pop Redux
Portland Evolves from Figure to Field
Belkis Ayón
Duane Michals
Meleko Mokgosi
Whitney Bradshaw
Adrian Piper
Midterms -- Where Will You Be?
Project Blue Boy
“Natural Persuasion”
John Fraser
Joe Mancuso
Liminal Art
Frohawk Two Feathers
Edward Burtynsky
Matthew Mullins
Jenny Heishman
Frank Sampson
Belltown Blues (Part 2)
When Artists Play with Fire
Burning Down the House
Can Photographs Tell the Truth Anymore?
“Group Therapy”
Michael Viglietta
Jo Ann Callis
Pascal Pierme
Sharon Ellis
Engaging with Immersive Art
The Quandary of Content
Belltown Blues
For the “LOVE” of Indiana
Never Give a Inch
“Living with Clay”
Pat O’Neill
Wendy White
Mabry Campbell
John Wilcox
Chicago Pop Redux
William Volkersz
Sam Fresquez
Donald Roy Thompson
Catherine Wagner
Elizabeth Turk
Belltown Blues (Part 2)
Robert Adams
Fred Stonehouse
Paul Berger
Maxim Walkultschik
Tonika Lewis Johnson
Contrarian
The Museum as a Creative Laboratory
Lies to Deceive, Lies to Reveal
Burning Down the House
“I Was Raised on the Internet”
“In Red Ink”
Raphaelle Goethals and Wanxin Zhang
Kenneth Tam
Can Photographs Tell the Truth Anymore?
“Casa Tomada”
Kari Wehrs
“A Conscious Surrender”
“Selected Affinities”
James Turell
Considering the Viewer
Confessions of an Art Biographer (Pt I)
Feminizing Male Stereotypes
Mr. Rodin meet Mr. Schnabel
Favorite Artworks for Different Reasons
Engaging with Immersive Art
Agnes Martin
Kris Hargis
Avisheh Mohsenin
Ravi Zupa
“Compression”
The Quandary of Content
Belltown Blues
Jay DeFeo
Michele King and Truong Tran
Phranc
Thomas Glassford
Kate Ballis
Ai Kijima
Eric Fischl
Jaune Quick-to-See Smith
Mary Hayslip
For the “LOVE” of Indiana
Jaydan Moore
Kehinde Wiley
Jeff Sonhouse
Nicholas Galanin
Eric Beltz
Contrarian
The Museum as a Creative Laboratory
Richard Diebenkorn
Jeffrey Gibson
Larry Bell
Patti Warashina
“Divine Bodies”
David Hockney
James Lumsden
Ryan Burghard
“Earthscapes: Contemporary Views of and from the Land”
Lies to Deceive, Lies to Reveal
Lies to Deceive, Lies to Reveal
Is Death an Unfair Advantage?
No Time to Sit Around: An Unexpected Memoriam
Julião Sarmento
John O’Reilly
Joerael Elliot
Eric Wolf
Minerva Cuevas
Chadwick and Spector
Considering the Viewer
Betsy Schneider
Catherine J. Davis
Lawrence Gipe
“Trump Card”
Jun Kaneko
Confessions of an Art Biographer (Pt I)
Otobong Nkanga
Rodrigo Valenzuela
Colin Chillag
Roland Reiss
Lucinda Cobley
Feminizing Male Stereotypes
“Peacock in the Desert: The Royal Arts of Jodhpur, India”
Kiyomi Baird and Robert Koch
“Circle / Squared”
Kira Dominguez Hultgren
Camille Rose Garcia
Diane Christiansen and Jeanne Dunning
Favorite Artworks for Different Reasons
Robert Colescott
Artists with Disabilities
Lord by Giacometti and Vice Versa
Remembering Sandra Stone
Is Death an Unfair Advantage?
Kelly Catarino
Tim Cross
Linda Christensen and Mark Beck
Penny Truitt
Artists with Disabilities
Karin Broker
Viola Frey
Ned Evans/Kelly Berg
Mark Innerst
Matthew Szosz
No Time to Sit Around: An Unexpected Memoriam
Hannah Piper Burns
Adriane Colburn and Alice Shaw
Francisco Moreno
Rashid Johnson
Emil Bisttram
“Plato in L.A.”
Louise Bourgeois
Paul Lee
Peter Bogardus
“Walk in My Shoes”
Lord by Giacometti and Vice Versa
The Power of Mark Making
Why Dennis Adrian Will be Missed
Two More Novels for Artists
Jay DeFeo
Matthew Picton
Maggie Taylor
Brian Mashburn
Chester Arnold
Robert Irwin
Joe Rudko
Anna Kunz
Alison Saar
Steve Fitch
Hail to the Chief
Art and Apocalypse
Remembering Sandra Stone
The Power of Mark Making
Kate Gilmore
FotoFest 2018 Biennial
Alex Couwenberg
William Wray
Nicole Eisenman
Devorah Sperber
“Art in a New Place”
Why Dennis Adrian Will be Missed
“Extracorporeal (Beyond the Body)”
Eduardo Carrillo/“The Feminine Sublime”/Ana Serrano
Natalie Arnoldi
Liz Tran
Kathy Jones
Kim Schoenstadt
Guy Diehl
Tony DeLap
Kathryn Maxwell
“In Repose”
Ed Moses
Having a Good Time?
Two Novels for Artists
Two More Novels for Artists
Art and Archetype at the Louvre Abu Dhabi
Hail to the Chief
Lorser Feitelson
Jeffly Gabriela Molina
Ed Mieczkowski
Karine Laval
Harald Szeemann
Art and Apocalypse
Cleveland Dean
Eduardo Chillida
Jasper Johns
Claudio Dicochea
Charlemagne Palestine
Holly Roberts
Alexis Smith
Roberto Fernández Ibanez
Julian Stanczak
Adrián Villar Rojas
Lindsay Rhyner
Weldon Butler and Amanda Knowles
Ed Moses
Jodi Colella
Casper Brindle
“Cuba Is”
Safwat Saleem
Nicole Anona Banowetz
Vanessa Woods
Having a Good Time?
R. Luke DuBois
Elisabeth Ajtay
Edgar Heap of Birds
Henk Pander
Gary Goldberg
Two Novels for Artists
Félix Candela
Hayley Barker
Sandi Seltzer Bryant
Mickalene Thomas
William Georgenes
Keeping an Eye Open
Art and Archetype at the Louvre Abu Dhabi
Senga Nengudi
Humaira Abid
Eddie Owens Martin
Christopher Knowles
Patti Oleon
Lezley Saar
Gustave Baumann
“There is No Alas Where I Live”
Gennaro Garcia
Refrigerated Art
Wu Bin
“The Wyeths: Three Generations”
Ichiro Irie
Richard Morhous
Sarah Williams
“Annus Horribilis”
Seattle’s Best of 2017
“Art of Devotion”
“UnDocumenta"
Sarah Charlesworth
Sam Messenger
Nancy O’Connor
“Visual Voyages”
“Myth & Mirage”
Rachel Hellmann
Candida Höfer
Jason Siegel and Keith D'Angelo
Deborah Handler
What Museum-goers Really Want: Ice Cream
Sheila Pepe: Hot Mess Formalism
Frank Romero
Jinie Park
Alejandro Diaz
Maurice Burns
Martin Ramirez
The Greatest Rediscovery?
Andrew Wyeth’s Darkness and Light
An Antidote for Our Woes
Reversing the Gender Mirror
Manuel Álvarez Bravo
“Video Art in Latin America”
Ato Ribeiro
Francisco Toldeo
Susan Budge
Reversing the Gender Mirror
Ray Mack
“Mutual Intelligibility”
Judith F. Baca
Connie Goldman and Mikey Kelly
Kent Williams
The Walking Cure
Moonlighting Movie Stars
Whose Kickstart Was This Anyway?
The Greatest Rediscovery?
Wookjae Maeng
“Changing Landscapes”
Amanda Williams
Sayre Gomez
Larry Kornegay
“Kinesthesia"
Mona Hatoum
“Disruptive Perspectives”
Nancy Graves
Peter Foucault
Robbie Conal's Political Art
Not “Good Muse”
“Reflections on the Yokohama Triennale”
The Kangas Six
The Walking Cure
Dinh Q. Lé
“Future Shock”
Mary Corse
“Hope + Trauma in a Poisoned Land”
Elise Wagner
Trenton Doyle Hancock
Laura Aguilar
“Past/Future/Present”
Moonlighting Movie Stars
Whose Kickstart Was This Anyway?
Laina Terpstra; Tama Hochbaum
Hans Burkhardt
Julije Knifer, Mangelos
Shawn Huckins
Gilliam and Hurley
Gilbert “Magu” Lujan
Gay Outlaw
“Small Sculpture”
Robbie Conal's Political Art
Edvard Munch
Alfredo Ramos Martinez
Jack Pavlik and Louis Watts
Eva Speer
Johnnie Winona Ross
An Ode to Old School Curators
A Talent for Talent
Not “Good Muse”
Valeska Soares
Rodrigo Valenzuela
Trey Egan
Doris Totten Chase
“Reflections on the Yokohama Triennale”
“Monet’s Etretat”
Jessica Hess
Jayna Zweiman
The Kangas Six
An Ode to Old School Curators
“When Line Becomes Form"
A Talent for Talent
Robert Grosvenor
“The Myths and Meanings of Tramp Art”
Carlos Almaraz
Dont Fret
Sebastiao Salgado
Chad Hasegawa
“I’m Sorry But It’s Hard to Imagine”
Jeffrey Wolin
Einar and Jamex de la Torre
“Eclipse”
Richard Misrach
The Eclipse is Coming
“Tomorrow is Another Day”
The Swimming Pool as a Springboard
The Eclipse is Coming
Steve Yazzie
Jacqueline Ehlis
“2017 California-Pacific Triennial”
Betye Saar
“Lines of Thought: Drawing from Michelangelo to Now”
Edward and Nancy Reddin Kienholz
Sono Osato
Candida Alvarez
Rafael Soriano
Doug Aitken
“Tomorrow is Another Day”
Tom and James Franco
Artists of Coenties Slip
“Bold Disobedience”
“A Modern Vision: European Masterworks From The Phillips Collection”
Steve Schapiro
Urs Fischer and the Art of Juxtaposition
The Swimming Pool as a Springboard
Takashi Murakami
Ricardo Mazal
Erik Olson
Pipilotti Rist
Monroe Hodder
“Basquiat and The Artist Next Door”
Paul Allen’s Emerging Vision for Seattle
Ghosts of the Cultural Past May Fuel Visions of the Future
Urs Fischer and the Art of Juxtaposition
“Basquiat and The Artist Next Door”
"Free Play"
Danny Lyon
Roni Horn
Anna Fidler
Daniel Johnston
“From the Studio”
Benjamin Weissman
Paul Allen’s Emerging Vision for Seattle
Phil Dike
Liliana Porter
Silvie Deutsch and Justin Favela
Terry St. John
Hilario Gutierrez
Paul Komada
Art Business as Unusual
Stuart Davis: In Full Swing
Alexander Yulish
Jefferson Hayman
John Baldessari
Richard Deacon
Benny Fountain
Ghosts of the Cultural Past May Fuel Visions of the Future
Ray Carofano
Christine Cassano
Carroll Dunham
Firelei Báez
Rex Ray
Alexandra Eldridge
Art Business as Unusual
Stuart Davis: In Full Swing
“Crossing Boundaries”
Mike Carney
“A New Look”
Georgina Spengler
Emily Wood
Zadok Ben-David
An Artist’s Line Drawn in Quicksand
America’s First Contemporary Art Star
The Pregnant Void
Disturbing Subjects
Martha Alf Pointed Me to the Light
Deconstruction: The War for a Word
Archipenko on the West Coast
Protest and Authenticity
Alex Weinstein
Gisela Colon
Marcus Zúñiga
Rick Bartow
Ken Fandell
Longacre-White and Homer French
An Artist’s Line Drawn in Quicksand
Rhonda Wheatley
Lynn Hanson
Al Loving
Deana Lawson
Matt Kleberg and Woody DeOthello
“Politics of Place”
Marimekko, With Love
teamLab
Lauren Greenfield
Jenny Trinks and Norwood Viviano
Frank Romero
Frederick Hammersley
Corey Stein
Christopher Russell
America’s First Contemporary Art Star
The Pregnant Void
Rhonda Wheatley
David Simpson
Margaret Lazzari
John McLaughlin
Tom Bolles
Disturbing Subjects
Dean Monogenis and Pepa Prieto
“Images of Resilience”
Linarejos Moreno
Laurent Millet
Martha Alf Pointed Me to the Light
"Making Communities: Art and the Border"
“Man Made”
Alicia McCarthy
Sophia Dixon Dillo
Mike Buchheit and Rachel Brace-Stille
Deconstruction: The War for a Word
Michael Kenna and Mark Thompson
Bryan David Griffith
Andrei Duman
Ellen Berman
Stacey Steers
Christine Frerichs
Joanne Julian
Patti Oleon
Sandow Birk
Yvette Mayorga
Where Art Hordes Go
Love Trumps Hate
Aesthetics and Action
Protest and Authenticity
“Holy Barbarians”
Osceola Refetoff
Andrea Joki and John Westmark
Michael E. Smith
Manfred Müller and Shaun McCracken
Peter Power
Where Art Hordes Go
Kahlo: Her Photos
Rachel Lachowicz
“Terra Mater”
Adrianne Rubenstein
Dennis Mukai
Love Trumps Hate
Jason Rhoades
Greta Young
Johannes Girardoni
Grand-daddy of Op
The Real Inauguration Day
View of a Royal Family
A Lesson on Interconnectivity, Part 2
Critique Week!
Aesthetics and Action
Taos Society
Will Wilson
Laszlo Moholy-Nagy
Tom Lieber
Magdalena Fernández
Grand-daddy of Op
Pedro E. Guerrero
“En Face”
Lisa Cardenas
The Real Inauguration Day
Greg Miller
Juventino Aranda
View of a Royal Family
“Rhona Hoffman 40 Years: Political”
Larry Bell
Madelin Coit
Ryan Goolsby
It Has Happened Here
“American Painting Today”
Milford Zornes
Sarajo Frieden/Carol Sears
A Lesson on Interconnectivity, Part 2
Genius on Paper
Catherine Colangelo
Critique Week!
“The Ecstasy of Mary Shelley"
“Poetic Minimalism”
Joyce Pensato
Bernard Chadwick
It Has Happened Here
Roy Lichtenstein
Phillip K. Smith III
Kemang Wa Lehulere
Jennifer Ling Datchuk
Patricia Lay-Dorsey
“Identity / Insight”
“Creator, Composer, Conductor”
Dylan: Not once have I ever had the time to ask myself, “Are my songs literature?”
Toba Khedoori
“Artists’ Choice”
Garrick Imatani
“Uncertainty”
“American Painting Today”
Sara Rafferty
Aaron Parazette
It’s All True
A Commitment to Social Justice
Looking Ahead 15 Years
Remembering Edward Albee
The Democratic Lens
A Lesson on Interconnectivity
“Online/Offline”
Rachel Schwind Gardner
Paul Sietsema
“Creator, Composer, Conductor”
Jeffrey Vallance
Manuel Neri
“Energy Charge”
Random International: Rain Room
Ann Hamilton: the event of a thread
It’s All True
Margarita Cabrera
“Friendly Fire”
Justin John Greene
Alison Keogh
Adonna Khare
“He/She/They”
Aline Mare and Michael Giancristiano
Dawoud Bey
Rocky Schenk
Marlana Stoddard Hayes
A Commitment to Social Justice
“Pick Your Poison”
Robert Williams
Looking Ahead 15 Years
Interconnectivity, Pt. 1
“Alcoves 16/17”
Roloff and Webber
“Sacramental Vessels”
Ross Bleckner
Marnie Weber
“Tribute: Women Artists of the African Diaspora”
Richard Baker
Mark Flood
Remembering Edward Albee
Karon Davis
Thomas Kellner
“Structures and Feelings”
Harold Mendez
Home Land Security
Pablo Picasso
Jun Kaneko
The Democratic Lens
Matt Eich
“Symbol Pleasures”
Michael T. Hensley
Kirstine Reiner Hansen
Christine Nofchissey McHorse
SITElines.2016
A Lesson on Interconnectivity
“100 Years of National Parks: The West”
Dana Hart-Stone
Rebeca Puga
VAS Endorses Hillary Clinton
“30 Americans”
Mark Klett
Lucinda Luvaas and Rufus Snoddy
George Herms
Mark Spencer
Cemeteries and Churches
William Cannings
Cannon Bernáldez
Home Land Security
Jeff Perrone
Amy Bennett
Dennis Evans and Nancy Mee
Megan Murphy
Ceramics at a Breakthrough Art Fair
Run Amok
Photographic Matrices
Still Sweating it at the Keyboard
Christine Nofchissey McHorse
George Tice
Cemeteries, Airports and Churches
Farraday Newsome and Jeff Reich
Rahul Mitra
David Hockney
Kerry James Marshall
Karla Klarin
“Transported"
Ceramics at a Breakthrough Art Fair
“Decorative Arts and Orientalism”
Ken Price
Katherine Joseph
“Contemporary Art from Saudi Arabia”
Peter Krasnow
Lawrence Calcagno and Louis Catusco
“Piston Head II”
Decontextualization Run Amok
Alan Corkery Hahn
Alex Da Corte
“What Birds Can See”
Photographic Matrices
Angel Cabrales
Victor Maldonado
Slouching Towards a More Perfect Democracy
Sisyphean Creativity
African-American and Native American Haute Couture
Vilhelm Hammershøi
Mabel Dodge Luhan
Abigail Goldman
Stephanie Syjuco
Shirley Tse
Still Sweating it at the Keyboard
Ron Ulicny
MK Guth
“Sub Rosa: Behind the Scenes at the Museum”
“It’s Official”
Slouching Towards a More Perfect Democracy
Johanna Billing
On Globalization
Jae Ko
Wendy Red Star
Barbara Rossi
Sisyphean Creativity
Gigi Mills
Neil Beloufa
Joel Shapiro
Courtney M. Leonard
African-American and Native American Haute Couture
Justine Kurland and Deanna Thompson
“Excerpts from the Natural World”
Ballad of a Free Man
On Globalization
Peter Combe
Nina Tichava
Lecia Dole-Recio
“Text”
“Subduction”
El Anatsui: Studio Process
Strandbeest: The Dream Machines of Theo Jansen
Amy Sherald
El Mac
Lena Moross
Jim Melchert
Ballad of a Free Man
Michael Brophy
The Wisdom of Three Women Artists
Adam Savage Meets Theo Jansen's Strandbeest!
Strandbeest: The Dream Machines of Theo Jansen
“Virtual Object”
“Burnt Generation”
Andrea Bowers
Leslie Vigeant
Christian Marclay
Splatters, Spurts, Sex
Chuck Close Comes Home
Cindy Sherman
Ai Weiwei
Kendall Glover
The Wisdom of Three Women Artists
“Radiant Space”
Let’s Hear It for the Worker Bees
How to Visit an Art Museum
Lee Godie
“Puja and Piety” and Lewis deSoto
Splatters, Spurts, Sex
Carmen Vetter
Tom Kiefer
Patrick Graham
Damian Elwes / Shawn Huckins
Linnea Glatt
Chuck Close Comes Home
Ruth Gruber
Bay Area Boom or Bust
Robb Report Art
Claire Falkenstein
Boyang Hou
How to Visit an Art Museum
Saskia Jordá
“Hidden Narratives”
Agnes Martin
Let’s Hear It for the Worker Bees
Justine Frischmann
Jeff Slim
Cris Bruch
Meow Wolf
Do Ho Suh
Carmen Argote
Bay Area Boom or Bust
Christine Tarkowski
Interview: Kimerly Rorschach
Robb Report Art
Ed Moses
Marilyn Minter
Rachel Hellmann
Julia Brown
“H2O”
Tamas Dezso
What a Difference a Letter Can Make!
Daniel Joseph Martinez
“By Hand”
Juan Jose Barboza-Gubo & Andrew Mroczek
Interview: Kimerly Rorschach
David Michael Lee
Liam Everet
Scott Greene
Middle Class of the Art World
Artist Designed Sanctuaries III: Alex Grey
Eric Hesse and Tim Vermeulen
“A Visual Artifact”
What a Difference a Letter Can Make!
Maximo Gonzalez and Xawery Wolski
Ana Teresa Fernandez
Lauren Mantecón
20 Years/20 Shows
John Preus
Jennifer Greenburg
Middle Class of the Art World
Christiane Feser
Miguel Soler-Roig
Thomas Kinkade, Huckster of Light
Nick Brandt
Susan York
Artist Designed Sanctuaries III: Alex Grey
Ann Gale
Emma Sulkowicz
Civics 101
Leonard Suryajaya
"Revolution in the Making ..."
Thomas Kinkade, Huckster of Light
Gordon Parks
MANUAL (Ed Hill and Suzanne Bloom)
The Collector Couple
Dianna Frid and Richard Rezac
Jenene Nagy
Civics 101
Ryan McCann
Eva Isaksen
Beth Ames Swartz’ Spiritual Balancing Act
Requiem or Realism?
Patricia Sannit
Roy Thurston and Monique Prieto
The Collector Couple
Kasumi Chow and Desiree Espada
“Few Were Happy with Their Condition”
Louis Kahn
Beth Ames Swartz’ Spiritual Balancing Act
Livia Stein
Josh Reames and Jose Lérma
Personal Politics
Betye Saar
Aaron Fowler
Requiem or Realism?
Oscar Berglund
Crystallography
“Our Stars, Our Selfies"
Daniel Rios Rodriguez
Tara Donovan
Personal Politics
David Aylsworth
Kent Monkman
The Studio Visit: Five Helpful Hints
Ryan Foster
Across the Pacific
“Our Stars, Our Selfies"
Kenneth Callahan
Chris Bradley
Site Specific Sanctuaries
Jean and Barbara Edelstein
“Earthworks”
The Studio Visit: Five Helpful Hints
Ben Haggard
Joseph Lorusso
Moving Day
Michael McMillen / Rebecca Campbell
David Maisel
Site Specific Sanctuaries
William LeGoullon
Raphaëlle Goethals
Superstructure
New Year's Resolve
Did AIDS Change Art?
New Art Meets Historic Monuments
Lipogram Vanity
Tim Hawkinson and Patty Wickman
Moving Day
Julian Wasser: Duchamp in Pasadena Redux
Jackson Pollock
Jefferson Pinder
Rodrigo Lara Zendejas
Marty Schnapf
Superstructure
Chaco Terada
New Experiments in Art and Technology
Los Angeles
Ron English
Ben Huff
Grisha Bruskin
Jessica Halonen
Sandow Birk
“Between Two Worlds”
New Year's Resolve
“Frida Kahlo: Her Photos”
Victor Hugo Zayas
Dirk De Bruycker
Did AIDS Change Art?
Anne Siems and Gina Wilson
“The Mapmaker’s Dream”
Fred Stonehouse
Lawren Harris
Not Vanishing / (Re)Presenting
Jay Kvapil
Leslie Kenneth Price
New Art Meets Historic Monuments
Bill Dambrova
Peat Duggins
Huck & Jim’s Dubious Moral Authority
Todd Christensen
Barry McGee
“One Cannot Look: Graphic Wars”
Kelley Devine
Thomas Gardiner
Lipogram Vanity
Alexander Yulish
Chintz, Kitsch and Letdown in the Infinity Room
David Beckley / Alexander Mouton
“The Many Faces of Modernism”
“Ten: Modern Abstract”
“MOMMY”
Virginia Katz
Huck & Jim’s Dubious Moral Authority
Richard Renaldi
POLIN and Treblinka
The Great (Gallery) Migration
Guy Diehl
Laszlo Layton
Chintz, Kitsch and Letdown in the Infinity Room
Lynn Aldrich
Danielle Frankenthal
“Looking Forward Looking Back”
Cornelius Völker
POLIN and Treblinka
“Gyre: The Plastic Ocean”
Eugenio Merino
Raising Cosmic Consciousness
Anila Quayyum Agha
Édouard Vuillard
The Great (Gallery) Migration
“The Book of Scores”
Ron Rizk
A Century-and-a-Half Minting Artists
Ishiuchi Miyako
Alicja Bielawska
Raising Cosmic Consciousness
Karla Wozniak
Larry Cwik
My Only Advice
The Broad, the Veil, the Scorching Sun
Shannon Finley
Richard Meier
A Century-and-a-Half Minting Artists
Paul Horiuchi
Howardena Pindell
Jessica Stockholder
Preston Singletary
My Only Advice
Cecilia Z. Miguez
Lynne Golob Gelfman
Poland’s Cultural Recovery
Sarah Awad
Sarah Perry
The Broad, the Veil, the Scorching Sun
Joseph Havel
Jamie Hamilton
Wallace Berman and the Dawning of the Information Age
Frank Gehry
Depth of Field
Tom Orr
Leonardo Drew
Poland’s Cultural Recovery
Darn, Trump Beat Me To It
Constant Change
“Interaction”
Marilyn Lowey
Wallace Berman and the Dawning of the Information Age
“Observing Observing (a white cup)”
Pablo D’Antoni
Angel Ricardo Ricardo Rios
“North Korean Perspectives”
Darn, Trump Beat Me To It
Liz Robb
Lisa di Stefano and George Marks
John Chiara
“GLEAN”
Hometown Expats
David Hockney
Constant Change
Rumi Vesselinova
Kensuke Yamada
Nicole Eisenman
The Artist as Charity
Hometown Expats
“Portraits and Other Likenesses”
“27th Anniversary Group Exhibition”
“Hidden Histories in Latin American Art”
Keith Carter and Kate Breakey
Holocaust Memorials of Poland Cross Political Eras
Jesús Moroles: Connecting Us to the Cosmos
Faheem Majeed
“Hapsburg Splendor”
The Artist as Charity
Alice Shaw
Rick Oginz
Michael Arcega
Jessica Hess
Holocaust Memorials of Poland Cross Political Eras
Donald Lipski
Kim Stringfellow
Still Nothing Like Venice
Behind the Art: Monument to the Special Olympics: Kent Twitchell mural | Toyota
Matt Clark and Jackson Echols
“Eye 2 Eye”
Jesús Moroles: Connecting Us to the Cosmos
Nosego
“Body Mass Index”
An Aesthetic of Political Audacity
David Kassan
“Night Begins the Day”
Nathaniel Thayer Moss
Still Nothing Like Venice
Jeff Soto and Sashie Masakatsu
“Dwell”
“Getting” Abstraction. Or Not
David Flores Special Olympics mural at the Los Angeles Memorial Coliseum
Petra Cortright
House on Mango St.
An Aesthetic of Political Audacity
Scott Greene
Sarah HaBa
Frye Salon
Phyllida Barlow
Kelli Vance
“Getting” Abstraction. Or Not
Eli Reed
Eileen David
Lisa Olson and Terry Pisel
Clarissa Tossin
Zombie Abstraction (Pt 3)
“Glow: Beauty Reigns”
El Anatsui
Frye Salon
Albert Oehlen
Mel Katz
Time to Declare Victory
Inka-Maaria Jurvanen
Zombie Abstraction (Part 3)
Susan Giles
Nancy Monk
Leopoldo Cuspinera Madrigal and Tim Rowan
Writers and Art Mags
"When Rivers Flow Like a Stream of Glass"
Noah Purifoy
“Finland: Designed Environments”
Time to Declare Victory
Shaun O’Dell
M.J. Anderson
Dr Kanye West Honorary Doctorate Speech
Todd Camplin
Writers and Art Mags
Díaz Lewis
Arvie Smith
William Barnhart
“Abstract Expression to Colored Planes”
“Photographers of the American West"
Shana Moulton
“Straight from Cuba”
Daniel Leivick
"When Rivers Flow Like a Stream of Glass"
Mark Grotjahn
Al Souza
Zombie Abstraction (Pt 2)
Richard Misrach
Helen Redman
“Abstract Expression to Colored Planes”
Jock Sturges
Rachel Bess
A Commencement Show
Jacob Lawrence
Finding A Cure for Zombie Abstraction (Pt 2)
Robert Brady
Anthony Caro
Jonathan Ryan Storm
Growing Beyond Disinfotainment
JMW Turner
A Commencement Show
Fraser Taylor
Trevor Paglen
Pedro Tyler
Alt-Weekly Arts Writing
Kim MacConnel
Elliot Norquist
Growing Beyond Disinfotainment
“Rooted in Soil”
Paul Booker
Kazuo Shiraga and Sadamasa Motonaga
Lance Letscher
Alt-Weekly Arts Writing
Dirk Staschke
Robert Ginder
Virginia Wright (Pt 2)
Zombie Abstraction (Pt 1)
David Bradley
Carol Es
Luis Sahagun
Virginia Wright (Pt 2)
“Testable Predictions”
Alexis Anne Mackenzie
Mernet Larsen
Hey S-agers, Treasure Your Time
Ruth Pastine
Zombie Abstraction (Pt 1)
Patrick Renner
Rodrigo Valenzuela
Pascal
Virginia Wright (Pt 1)
Rosemarie Beck
David Kapp
Hey S-agers, Treasure Your Time
Joseph Goldberg
Marissa Lee Benedict and David Rueter
When Actions Speak Louder Than Art
“Feminism Today”
Virginia Wright (Pt 1)
Walter Quirt
Dani Tull
Lucinda Cobley and Michael Crowder
Globalization and Art
When Actions Speak Louder Than Art
Robert Williams
Jake Longstreth
Takahiko Hayashi
Eric Wesley
My Art-Crush on Lady Agnew of Lochnaw
“Art of the American West”
Globalization and Art
Ben Jackel
Joe Rudko
Larry Sultan
Artist Biographies: An Annotated Selection
Fred Tomaselli
My Art-Crush on Lady Agnew of Lochnaw
Tony DeLap
Lucinda Parker
David Schafer
Jim Morphesis and the Quest for Self
Katsumi Hayakawa
Michael Kaysen
Artist Biographies: An Annotated Selection
Hal Fischer
Andreas Nottebohm
An Interview with Peter Selz
Jessica Rath
William Binnie
Jim Morphesis and the Quest for Self
Lisa Ludwig
Pard Morrison
Latino Studies
Angie Bray
Robert Jessup
Mel Chin
Lisa Lindvay
An Interview with Peter Selz
Ten Suggestions for a New Year
David Michael Smith
Dan Budnik
Chuck Close
Hap Tivey
Latino Studies
Pop Art’s Enduring Life (Part I)
“The Heart is the Frame"
Travis Pond
Ten Suggestions for a New Year
David Lackey
Orr Menirom
Artists as Producers: DIY to Big Budget
Lou Beach / Patssi Valdez
Claire A. Warden
Suzan Woodruff / Tom Martinelli
“Being Woman"
Odd Nerdrum
Faces of Impressionism
Pop Art’s Enduring Life (Part I)
Jeff Fontaine
Tom Birkner and Don Stinson
Jeanne Silverthorne
Artists as Producers: DIY to Big Budget
Nicholas Grenier and Lily Stockman
James Drake
“Carved, Cast, Crumpled: Sculpture All Ways”
On Artist-Run Spaces
Eric Orr; Sebastián
Elizabeth Turk
Mike Osborne
Michael Vahrenwald
Trip Advisor Loves AIC
Deborah Roberts
Jonas Wood
On Artist-Run Spaces
Emerson Woelffer
Udo Nöger
Alfredo Arreguín
Francis DeFronzo
Rusty Scruby
The Long View Middle Way
Gil Kofman
Cassandra Straubing and Babette
“Ten-in-One”
Kahn and Selesnick
“World War I: War of Images, Images of War"
Gabriel de la Mora
Ryo Toyonaga
Hiroshi Sato
Roland Reiss
Mickalene Thomas
Maria Frank Abrams: An Appreciation
Ann Hamilton
Luis González Palma
Sayre Gomez
Randy Colosky
Bathos in Sex and Art
Alison Saar
HJ Bott
Eros & Thanatos at Zane Bennett Contemporary
Really: What IS an Art Fair?
Richard Misrach and Kate Orff
Rough and Ready
Really: What IS an Art Fair?
Wendy Given
Judith Kruger
Jason Middlebrook
Paul Metivier
Giuseppe Penone
“Intimate Horizons”
It May Be Easy … But Choose Wisely
Bludgeoned by Beauty
David Johns
Sherrie Wolf
Melanie Willhide and Klea McKenna
Valley Vista: Art in the San Fernando Valley ca. 1970 – 1990
Ruth Asawa
John Santoro
Abbey Messmer and Ann Morton
Remembering China (Part 2)
Dario Robleto
Margaret Wharton
Pepe Mar
Bruce Richards
Bludgeoned by Beauty
Evan Blackwell
Florence Miller Pierce
Honor the Wanderjahre
Rob and Nick Carter
Roberto Fabelo
A Match Made in Council Chambers
John Armstrong, Brent Bond and Jacob Meders
Hiroshi Yamano
Honor the Wanderjahre
Larry Kornegay and Bill Timmerman
David Geiser
May Sun
Ron Weil and William Schwob
For Whom I Write
Remembering China (Part 1)
Lucy + Jorge Orta
Jeremy Thomas
Heirlooms from the F. Scott Hess Family Foundation
Houghton Hall
"Made in L.A."
Klingbiel and Somers
A Tale of Two Art Sites
For Whom I Write
Alan Sekula
Bill Braun
Ilona Pachler
James Ensor
The New Interactivity
The Magic Circle of Profound Enchantment
A Tale of Two Art Sites
Christopher Benson
Abigail McLaurin
Auguste Rodin
Ross Palmer Beecher
Yoshitomo Saito
The New Interactivity
"Measurable Inconsistencies"
“Temporal Domain”
John Altoon
Political Art Month in San Antonio
George Grochocki and Shayne Murphy
Miller & Shellabarger
The Magic Circle of Profound Enchantment
John Gossage
Nancy Popp
Josef Koudelka
“Irish Glass: Tradition in Transition”
David Hockney
Jerry Uelsmann
Political Art Month in San Antonio
Sullied by Celebrity
Josef Hoflenhner
Matthew Rolston
Marc Dombrosky
Terrell James
Rex Brandt
"Parallel Myths"
Fred Martin and Friends in the Fifties
Sullied by Celebrity
Will Santa Monica Destroy Bergamot in Order to Save It?
Eric Fischl
Guide for the Art-Perplexed
Luke Armitstead
Dan Attoe
Modernism in the Northwest
"Surface to Air”
A Real Whodunit
Will Santa Monica Destroy Bergamot in Order to Save It?
“Vanishing Points"
Shan Goshorn
June Wayne
Sean Healy
Things People Don’t Talk About At Art Openings
McArthur Binion
Bill Owens
A Real Whodunit
Ed Moses and Larry Poons
Jay Giroux
The Second Triptych
Yuko Someya
Hiroshi Sugimoto
Sara Rockinger
Rose Cabat
Things People Don’t Talk About At Art Openings
Jaime Scholnick
Zack Wirsum
Emily Mason
Defining the Critic
Pareja & Chavez-The Mission Gallery
Douglas Cooper
Michal Rovner
The Second Triptych
Melinda Stickney-Gibson
Gugger Petter
Season of the Double Rainbows
Koji Takei
Hayley Barker
Defining the Critic
The Sarkisians
Janet Lippincott
Q and A
Tim Ebner
William H. Johnson
Spring Salons in Seattle
John Singer Sargent
Sarah Knobel
“The Armory Show”
"Nur: Light"
Ben Murray
Q and A
Shepard Fairey
Manuel Neri
Sam Francis, New York, and Outsiders Looking In
Eleanor Antin
Chris Engman
“The Armory Show”
Mary Lou Zelazny
Pablo Helguera
A Curatorial Triptych
Eric Kasper
Debra Baxter
Sam Francis, New York, and Outsiders Looking In
Sultan and Mandel
Isabelle Cornaro and Matt Sheridan Smith
The Smell of Paint
Roberto Gil de Montes
Martin Facey
“Global Voices, Diverse Narratives: One Medium, Video”
Margaret Ponce Israel
A Curatorial Triptych
Shane McAdams
Keith Carter
Mother of Northwest Art
Mike Kelley
Daniela Edburg
The Smell of Paint
Paul Nudd
William Ivey
Thank you for helping MCLA restore John Wehrle’s “Galileo” mural
Help MCLA restore Wehrle’s “Galileo”
What is an Art Critic?
Mother of Northwest Art
Mike Rea
Suzanne Anker
Jerome and Joel-Peter Witkin
Kathryn Arnold
A Lad's Disdain
Ryan Reggiani
Darrel Morris
What is an Art Critic?
Mitchell Albala and John McCormick
Ray Eames
Why Paint?
Uno Noger and Carlson Hatton
Camille Patha
Kara Walker
Bruce Conner and Gay Outlaw
Julianne Swartz and Ken Landauer
A Lad's Disdain
Vivan Sundaram
Zoe Dusanne
Inappropriate Behavior
"Reimagining the Contemporary Landscape"
Alan Cohen
Why Paint?
Michael Madzo
Rory Devine
Does Art Criticism Matter Any More?
Opportunity or Corruption?
“Abstraction and the Once-Silenced Shout”
Peter Fischli and David Weiss
Lilli Carré
Inappropriate Behavior
"Self(ie) Portraits"
"Surface Tension"
Joao Ruas
Jane Lindsay
Frank E. Cummings III
Zoe Dusanne
Fernando Casas
Nick Albertson
Zimoun
Andrew Hayes
“Abstraction and the Once-Silenced Shout”
Heather Mekkelson
Cable Griffith
Kent Twitchell
Delair Shaker
Miyoshi Barosh
Alice Aycock
"All Art Was Once Contemporary"
Faith Wilding
Freddy Chandra
"Unveiled: Nudes"
Opportunity or Corruption?
Andrea Bowers
Phil Stern
Daniel Healey
Fred Tomaselli
Leon Kossoff
Kelly Moran
Patrick McGrath Muñiz
Kaori Takamura
James Martin
Does Art Criticism Matter Any More?
David Adey
Bloomfield & Churchill
Gabrielle Garland
"Latin American Group Show"
"Renaissance to Goya"
Wayne Thiebaud
Chihulyland
Karen Carson
Colin Cochran
Christa Assad
Canterbury & St. Albans
Ellen Tanner
The Capital of Art
Norman Kelley
Gisela Colon
Carson Fisk-Vittori
Beth Secor
Stephen Beal
Dale Chihuly
Yutaka Sone and Benjamin Weissman
To Fee or Not to Fee
Anne Appleby
Fernando Pareja and Leidy Chavez
Norton Wisdom
"Flesh and Metal"
“Face to Face”
Paul Sietsema
Liliana Porter
Reflections on Collecting
Brian Wills
Anne Hirondelle
David Rudolph
Susan kae Grant
Margaret Lazzari
Sam Francis
Danto's Divine Comedy
Lucinda Parker
Leon Gaspard
"Tapping the Third Realm"
Julianne Swartz
Bicycling Fish
Without Fear or Favor
Abelardo Morrell
Contemporary Northwest Art
Wary of the Spiritual
William Catling
Leo Vroegindeweij
Without Fear or Favor
Modernist Siblings
Dannielle Tegeder
Jim Riswold
Jordi Alcaraz
Ed Mieczkowski
Reflection on a Glial Cell
Modernist Siblings
Eric Nash
Lynn Aldrich
Michael T. Hensley
Meow Wolf
Reflection on a Glial Cell
William Lane
Ben Butler
Roxy Paine
Mark Hagen
Book-Bound
Steven Hull
if you cut it, they will come
Janet Cardiff and George Bures Miller
Sean Deckert
Dawoud Bey
George Herms
David Kroll
A Tale of 3 and 7
Joseph Kohnke
Stas Orlovski
Kai & Sunny
Michael Crowder
''Desecration''
Franklyn Liegel
''Links: Australian Glass''
Stefan Kürten
Arnold Helbling
Amanda Joseph
Katherine Lee
Eric Pedersen
Franklyn Liegel
Odilon Redon
Joe Willie Smith
Revisiting the Ultimate Issue
Feibleman / Emmert
Olga de Amaral
Stefan Sagmeister
Irene Olivieri
Beatriz da Costa
Isaac Layman
Amusant.com
Podoll / Bunga
From Above
Michael Ottersen
Asian American Portraits of Encounter
Deaccession in the Civic Context
Shaw / Graves
Bill Braun
Louisa McElwain
A Mural Ordinance for Los Angeles
Sabino Osuna
''Backstory''
Hassel Smith
''Journey Forth''
Bittman/Pionkowski
Barbara Sternberger
Donald Bradford
California-Pacific Triennial
Good Bad and Bad Bad
Yvonne Venegas
Mark Dell’Isola
Transmissions
''Rogue Wave''
''Morris Graves: Selected Letters''
Is There a Crisis in Art Criticism?
Daniel Bennett
Anderson & Low
Katharina Grosse
Biennale Fever
Antonia Wright
Covington Jordan
''Six Rising Stars''
Andrea Heimer
Creativity & the Flow, Pt 2
Daniel Bauer
Libby J. Masterson
Michael Jang
Former LACM Wachs' Star Hasn't Waned
Polly Barton/Alison Keogh
Nan Goldin
Isamu Noguchi
David Maisel
Virtual Reality Art
Jasmine Justice
Clarissa Tossin
James Turrell
Two Weeks in L.A.
Fernando de Szyszlo
Gems of the Medici
Forrest Bess
Marco Petrus
Manuel Mendive
Eirik Johnson
Creative Expropriation
Aristotle Georgiades
Channa Horwitz
Annie Lopez
Creativity & the Flow
Wayne Higby
Marcelyn McNeil
Takashi Murakami
Urs Fischer
Brutal Treatment of a Brutalist Building
Shai Kremer
Diane Arbus
Phyllis Bramson
Nancy Youdelman
Christopher Badger
Soo Sunny Park
Alexis Smith
David Byrd
Christopher Taggart
Darren Waterston
Sarah Williams
Deb Sokolow
Nancy Jackson
Capitalism and its Discontents
Wesley Younie
Frieke Janssens
Inner Journeys, Outer Vision
Arturo Mallman
Kehinde Wiley
Ahmed Alsoudani
Is Anybody There?
Stephen Beal
''Big Pictures''
Geoff Hippenstiel
''State of Mind'' / Linda Mary Montano / Mungo Thomson
Second Take(Over)
Alex Steckly
Stanley Casselman
Beth Secor
''Picasso and Chicago''
Where Art and Money are Well Met
Taryn Simon
Shane Guffogg
John Thomson
The Bottom Line About the Bottom Line
Eric Fischl
Robert Burnier
Driss Ouadahi
Llyn Foulkes
What's it All About?
Pedro Farias-Nardi
Order, Chaos and the Space Between
Richard Jackson
Art Beyond Earth's Gravity
John Albok
Sid Avery
Cathy Daley
Goshka Macuga
Art Bizarro Worlds
Jeff Koons
Catherine Wagner
William Bailey
Jonathan Wateridge
Art Between the Poles
Ronald Davis
Ynez Johnston
R.H. Quaytman
The Triumph of Feminism: Seattle’s Art History
The Sandy Hook Aesthetic
Critiquing Ourselves
On the Other Side of the Crevasse
Chris Fraser
Alan Bur Johnson
Miriam Wosk
Alfredo De Stefano
Josef Albers
Homeboy Industries
Ann Gale
James Krone
"End of the World"
"DataViz: Information as Art"
Nayland Blake
Marcus Jansen
"Facing West/Looking East"
Letters from L.A.
Russell and Romano
Ai WeiWei
Justin Cooper
Jim Gaylord
''Rediscoveries''
Swallow and Vance
Stephen Strom
Christina Hale
Chester Arnold
Rogelio Manzo
Renee Lotenero
Héctor Zamora
David Kapp
Luis Gispert
Liam Everett
Mark Baugh-Sasaki
Debra Barrera
Steve McQueen
Asay and Davis
William Eggleston
Ken Price
Jessica Drenk
Philip Buller
Kenneth Noland
''When I'm Sixty-Four''
Andrea Modica
Lutz Bacher
Victor Maldonado
Friedrich Kunath
Don Voisine
Catherine Opie
John Opera
Ant Farm
Tony de los Reyes
Frances Lerner
Clare Rojas
Cosgrove and Costache
Antonio Muniz
Elise Wagner
Masami Teraoka
Raymond Saunders
Sewell Sillman
Nic Nicosia
Jenny Holzer
Anne Lindberg
Laura Paulini
Charles Gaines
Storm Tharp
Matt Lipps
Tony Bevan
Gary Stephan
Barry McGee
Lezley Saar
Clarence Hinkle
Gustave Klimt
“Escape from the Landfill”
Anna Fidler
Jacqueline Kiyomi Gordon
"Skyscraper"
Federico Solmi
Lucian Freud
Roberto Cortazar
Jed Berk and Oliver McIrwin
Charles Linder
Gregg Renfrow
Jack Goldstein
Peter Sarkisian
Seymour Rosofsky
George Grosz
David Shrigley
Lou Beach
Woody Gwyn
James Turrell
Christel Dillbohner
Maxwell Hendler
Pop Noir
Land Art to 1974
Misako Inaoka
Japan’s Textile Pioneers
Matthew Sontheimer
Dashiell Manley
Mel George
Charles Ross
John Valadez
Critic's Picks: Denver
Critic's Picks: Denver
Misha Gordin
Lisa Gronseth
Lucien Clergue
Kerry James Marshall
''Pop Noir''
''Wilderness Mind''
John Valadez
Made In L.A. 2012
Damien Hirst
14,000 Years of Art
John-Paul Philippe
Gary Hill
''Made in L.A. 2012''
Patrick Wilson
''City Zoo''
Joan Watts
Gina Han
Gay Block
Lee Friedlander
From Moscow with Love
Infinite Possibilities of Origami
The Chicago Attitude
John Chiara
Adam McEwen
Peter Selz: Sketches of a Life in Art
Irene Kung
Masako Miki
Anthony Velasquez
Erick Swenson
Nina Katchadourian
Eirik Johnson
Theophilus Brown
Mitchell Marti
Kim MacConnel
Barer / Hsu
Lisa / Fernandez
Alwyn O'Brien
Alina Szapocznikow
Guirguis / Hagler
James Smolleck
''The Art of Mono-ha''
Frederick Hammersley
Frank Lloyd Wright
"Clay's Tectonic Shift"
The Boneyard Project
''Interlopers''
''Breaking in Two''
Paul Gauguin
Mark Rothko
''Time-Lapse''
John M. White
Isaac Julien
Fred Wilson
Richard Diebenkorn
Editor's Note
Kent Twitchell
Hans Burkhardt
Creating 'The Great Picture'
The Wright View of Color Field
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Charging RiNo
Pacific Northwest Contemporary Glass
John Frame: Three Fragments of a Lost Tale
A Lens on the Land
On Strike from the Huffington Post
David Wojnarowicz, “Fire in My Bellyâ€
MOCA whitewashes BLU mural
Roland Reiss
Bas Jan Ader, 'I'm too sad to tell you'
Zer01 Festival
Jim Marshall
Nellie King Solomon
Denver Arts
Dennis Hopper
Stephen Sollins: 'New Thoughts'
Stuart Arends
Without Reservation
Ian Everard
The Green Museum
Gregory Euclide
'Eden is Burning'
'Idea as Art'
Mayra Barraza
Karen Woods, 'Inside Looking Out'
Mark Bradford
Homare Ikeda, 'Voicers'
Lauren DiCioccio
William Powhida, 'No One Here Gets Out Alive'
Alyssa Monks, 'Steam'
University Galleries-Part II
'Surviving the Tough Times'
Leo Saul Berk, 'Deep Dark'
Asako Narahasi, 'Coming Closer and Getting Further Away'
'Death of a Propane Salesman: Anxiety and the Texas Artist'
Ruth Pastine
Owen Smith
University Galleries- Part I
Focus on Denver
12 Western Presses
James W. Washington, Jr.
Jim Riswold, 'Art People and a Cow'
Yasuko
Book Art Unbound
Stephanie Wilde, 'Harmed'
Bella Feldman and JP Long, 'Dialogue'
Laura Ross-Paul
Hadley Holliday, 'Paintings'
Jonathan Saiz, 'Industry'
Mark Calderon, 'Dominion'
Crystal Liu, 'Give Us Our Dream: Part One'
Kelsey Brookes
The Black Album
Heather Brown
Jill Foley, 'The Mountain'
Merion Estes, 'Lost Horizons'
Bradd Skubinna
John Baldessari, 'A Print Retrospective'
Hyesook Park
Embracing Denver
Sherrie Wolf, 'Counterpoint: New Paintings'
Betty Gold, 'Color'form'
Catherine Green
Suhas Bhujbal, 'Reincarnation'
Roy Dowell
Henry Hopkins Dead at 81
Merrill Wagner
Greg Miller: Recent Work
Nick Cave
DOWN TO EARTH: LAND/ART in New Mexico
Sandow Birk
Phil Joanou
Patti Oleon
'Rebels Without a Cause'
'L.A. Noir'
'Neighbors: 17 Santa Barbara Artists in Ventura'
Eirik Johnson: Sawdust Mountain
Blurring the Lines
Monique van Genderen
Frank Ryan
Welcome Back to Visual Art Source
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Carrie Yury
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