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Shahzia Sikander
Shahzia Sikander combines Hindu, Muslim, and Western imagery, injecting her fusion with humor, ambiguity, and eroticism. More...


“Networked Nature"
“Networked Nature” presents a group of digital works interpreting “nature" bound up and integrated with artificial intelligence. More...


Anne Siems, “Inner Wild”
Inscriptions of tattoos on the necks, bodies, and shaved heads of teenage girls lend them the feel of punk centerfolds, and marks a departure for Anne Siems. More...


Stephanie Robison
Stephanie Robison pairs polished, fluid marble with patches of colored felt to achieve inventive, suggestive and humorous results. More...


Hung Liu
Both Liu and her mother died as a result of pancreatic cancer, which is evoked both emotionally and symbolically in this moving exhibition. More...


Dion Johnson
The contemporary take on hard-edge painting by Dion Johnson is vibrant and oscillating, as the show's title promises. More...


A Binary Season
Even as many artists grapple with public issues as crises of political and physical health continue, they also choose to withdraw into the interior space of art for the sake of art. More...


No Body: ​Mike Rea and Casey Whittier
In “No Body,” Kansas City artist Casey Whittier and Chicagoan Mike Rea realize an unlikely pairing of absurdity and serious craft. Whittier's cast glass represents things worn on or close to the body. Rea's mosaic-like images look abstract at first before resolving into gear like bodice harnesses. More...


Jeff Wall
Jeff Wall puts our powers of observation to the test in this group of large-scale digital prints. They initially are believable, but the performers' actions are both open ended and illogical so as to thwart interpretation. More...


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Molly Vaughan
Molly Vaughan's "Project 42" takes as its subject 42 murdered transgender women of color--and dresses. More...


Joan Mitchell
The protean Joan Mitchell as seen in this retrospective mates voluptuary hedonism to feverish agitation in some of the best abstract brushwork of her generation. More...


“were-: Nenetech Forms”
Colonizer narratives crumble amid the weight of collective mythologies, where collaborative labor has given rise to “were-: Nenetech Forms,” an exhibition exploring migration, transformation, and survival in the Sonoran Desert. More...


The Visual Adventures of Robert Williams
Robert Williams' darkly narrative paintings are steeped in the car and counter cultures of the 1960s and came to play a central role in the now well established lowbrow culture. Conventional life collides with apocalyptic, surreal scenes. More...


Marietta Patricia Leis
Marietta Patricia Leis injects a distillation of evanescent impressions, feelings, and details of memories into ostensibly simple objects. More...


Jennifer Ling Datchuk, “Later, Longer, Fewer”
The title of Jennifer Ling Datchuk's exhibition, “Later, Longer, Fewer,” refers to China’s controversial one-child policy. The works reflect how well attuned she is to inequities that impede women and reflect diverse subject matter that lends the show emotional resonance. More...


Francesco Clemente
The venue of the Santa Monica Old Post Office and the effectiveness of Fracesco Clemente's installation highlight the Neo-expressionist electricity of his painting. More...

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