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Editorial: Columns


Urs Fischer and the Art of Juxtaposition
Daniel Dennett, a critic of postmodernism, argues that "Postmodernism, the school of 'thought' that proclaimed 'There are no truths, only in more...

“Basquiat and The Artist Next Door”
If billionaires can wheel and deal in cattle futures, crude oil, shipping, technology, and defense contracting, why not in art? more...

Paul Allen’s Emerging Vision for Seattle
Paul Allen is only the latest major civic-minded donor to Seattle's cultural maturation, but he may be exerting the most impact. He has he b more...

Ghosts of the Cultural Past May Fuel Visions of the Future
From MacArthur Park, near downtown L.A. the Berggruen Institute will peer into our public policy and cultural future from a revamped Spanish more...

Art Business as Unusual
Documenta and the Venice Biennale have opened; major retrospectives are gearing up. Beneath the surface, all is not well. more...

Stuart Davis: In Full Swing
Not perhaps as much an event as the recent Monet or Matisse and Diebenkorn exhibitions, Stuart Davis dazzles at the de Young Museum. It clar more...

An Artist’s Line Drawn in Quicksand
Daniela Repas' short documentary/animation "Mnemonics" embraces the ethnic heritage of this former Bosnian refugee as subject matter. There more...

Marimekko, With Love
The rise and continued cultural influence of the Swedish fashion design house Marimekko is here traced and assessed. more...

America’s First Contemporary Art Star
Currently on view the Art Institute of Chicago, James McNeil Whistler's portrait of his mother Anna is not the public event that it once was more...

The Pregnant Void
The immaculately spartan works of Kirshio Suga provoked Richard Speer to reflect on the dialogue between shape and space. more...

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