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Editorial: Columns


Still a White People’s Place?
On a recent visit to the headline exhibition at San Francisco's Museum of the African Diaspora, Maria Porges noticed how the predominantly A more...

Configuring Language
David S. Rubin explains how two recent exhibitions, one featuring Allen. Ruppersberg, the other featuring Mel Bochner show how text-based ar more...

Reconsidering the Art Museum Post #MeToo
Manet at the Art Institute of Chicago sounds awfully good. But the show's curators could not have made it any more irrelevant to the present more...

This Must Be the Place
Lorraine Peltz' survey of chandeliers and bouquets are now deeply connected to her late husband, art critic and educator James Yood. more...

Remembering Selma Waldman, Activist Artist
The late Selma Waldman spent most of her career in obscurity but produced some of the most expressive and skillful political art of her gene more...

My Own Private Artspeak
Everybody claims to hate artspeak, and most of us art critics will offer full-throated denials that we sink to using it. Anyone who writes a more...

Never Look Away
The recent film "Never Look Away," loosely based on the life of Gerhard Richter, traces an artist's complex journey from repression to freed more...

Dancing Across Genres, Medium Serving Message
When artists have something intensely personal to express, sometimes they do so in a medium different from the one they're most associated w more...

The Pros and Cons of Juried Exhibitions
If juried exhibitions offer emerging artists for exposure oapotuntites, they also can place them at the mercy of unscrupulous operators. more...

Charles White
Currently the subject of a LACMA retrospective, Charles White's aesthetic progeny are popping up elsewhere around L.A. to amplify his messag more...

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