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Editorial: Reviews


“Kinesthesia"
The retro-futuristic flavor of “Kinesthesia: Latin American Kinetic Art 1954-1969” is well suited to its Palm Springs host city. more...

“Future Shock”
SITE Santa Fe itself is part of the story, reopening after more than a year of new construction with "Future Shock," whose ten artists prese more...

“Hope + Trauma in a Poisoned Land”
Symbol-laden works by Diné (Navajo) artists and others deal head-on with a sensitive issue and its deleterious effects: uranium minin more...

“Past/Future/Present”
The vibrancy of Brazilian contemporary art is on full display in “Past/Future/Present,” the first large-scale U.S. appearance of more...

Shawn Huckins
Pre-20th Century American portraiture is defaced with smart phone phrases and graphic icons in Shawn Huckins’ canceling of historical more...

Gilliam and Hurley
Denzil Hurley and Sam Gilliam, in simultaneous exhibitions, exemplify very distinct approaches to abstract painting; both work. more...

“Small Sculpture”
On two long, white tables, 55 small sculptures by as many artists form an array of artworks resembling specimens laid out for inspection, ru more...

Edvard Munch
Apart from SFMOMA's current show of Edvard Munch's paintings, this gallery show of his prints and works on paper display the freedom of Munc more...

Jack Pavlik and Louis Watts
Jack Pavlik’s "10 Waves" kinetic sculptures sit silently before they begin moving rhythmically, producing a chiming metallic music. Lo more...

Doris Totten Chase
Seattle artist Doris Chase's early work in her home town enjoyed hard won acceptance in New York during her time there in the 1970s. Her dan more...

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