Tim Roda, “Vantage Points” 
Tim Roda's constructed-set black-and-white photographs featuring family members use jerry-rigged lumber, unfired ceramic props, kitsch elements such as plastic flamingos and snow shovels, and father, sons, and wife to activate awkward situations. ... more
Ambreen Butt
Ambreen Butt's “Lay Bare My Arms,” was three years in the making, and the expenditure of creative labor teems with visual incident. ... more

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Fighting: Ukrainian War Photographers  “Fighting: Ukrainian War Photographers” confronts the breadth of conflict through the lens of 16 Ukrainian ... more

A Generational Change in Los Angeles A generational transition has occurred among LA galleries with an influx of post-pandemic start-ups and outposts.... more

American Art: The Stories We Carry The re-installation of the American art collection at Seattle Art Museum reflects shifts in art history and curatorial p... more


Albert Contreras, “Albert”
Albert Contreras failed to break through in New York during the 1970s and 80s, so he worked as a garbage truck driver un... more

Jeffrey Chong Wang
Visual set pieces by Jeffery Chong Wang present an awkward sense of space and situations informed by historical Western ... more

Ambreen Butt
Ambreen Butt's “Lay Bare My Arms,” was three years in the making, and the expenditure of creative labor teem... more

 
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