Kelly Akashi
Kelly Akashi’s “Encounters” operates convincingly as a collection of discrete objects surrounded by related, but not necessarily interdependent, video projections and photographs of concocted microscopic elements. More...
John Miller, “New Horizon”
John Miller began his career during the era of the “pictures generation." This survey conveys his outright distain for the limits of abstraction's refusal to acknowledge social and political conditions that are inescapable. More...
Jónsi, “Vox”
Jónsi's sound-works are not meant to overpower the gallery or the viewer, but are inviting and contemplative. Though electronically created, they reference the subtleties of the natural as well as the built world. More...
Hugh Hayden, "Hughman"
Hugh Harden's "Hughman” rims the perimeter of the gallery with a wall of more than 20 gray toilet stalls, each featuring a mini-exhibit. More...
Luis Rivera Jimenez
In a group of installations Luis Rivera Jimenez visually poses tough questions about racism while guiding us through multiple aesthetic perspectives that create a space for community dialogue. More...
Tim Roda, “Vantage Points”
Tim Roda's constructed-set black-and-white photographs feature family members and various props to activate awkward situations. More...
Christopher Badger
Christopher Badger presents artworks that stem from assignments he has given to his students. On view are his own responses to prompts such as "Chemical Painting," "Computational Choreography," or "Psychological Color Theory." More...
Ed Moses, "Emptiness is Form"
Ed Moses applied painterly gesture and manipulation in endlessly surprising ways. The tools he used to apply the paint — including squeegees, mops, squeeze bottles, house painters’ implements and hoses -- were simple but effective vehicles by which he achieved his effects. More...
David Schell, "Casual Plans"
David Schell's shapes are biomorphic but not figurative, geometric but not hard-edged, kinda squishy, like a grilled cheese sandwich left too long in a hot car. More...
Richard T. Walker
Richard T. Walker interrogates nature and the solitary observer through multimedia works. The playfully ironic title, “Never Here /Always There,” conveys the flavor of Walker’s inquiries and investigations. More...
Chris Johanson, "Untitled Tryiptych"
Chris Johanson's untitled triptych, a key work of San Francisco's "Mission School," today still registers the spirit of that time and place. More...
JooYoung Choi
JooYoung Choi's paintings with cut paper (and one soft sculpture) show an affinity for comic books, toys, fairytales, and galactic superheroes. Dense imagery and explosive color make for an exceptionally loaded show with a huge array of characters. More...
Jeffrey Frisch, "Extreme Moderation"
Jeffrey Frisch turns art styles, genres, movements, and even painting techniques inside out and upside down. Titled “Extreme Moderation,” these up cycled constructions engage in intellectual and aesthetic play. More...
JooYoung Choi
JooYoung Choi's paintings with cut paper (and one soft sculpture) show an affinity for comic books, toys, and galactic superheroes. More...
Ben Ashton
Historic portraits in the Grand Manner inspire Ben Ashton's melted and stretched period portraits with attention-grabbing results. More...
Njideka Akunyili Crosby
In “Coming Back to See Through, Again” Njideka Akunyili Crosby juxtaposes photographic transfers and painted depictions of interiors and exteriors. More...
Nick Vaughn and Jake Margolin
Nick Vaughan and Jake Margolin are “social cartographers” mapping lost and obscured LGBTQ+ narratives through an aesthetic gaze. More...
