Editorial : Reviews


Jason Karolak, “Fictionless”
Jason Karolak uses oil on linen to create luminous compositions of neon-like color that jumps off from black backgrounds. The point of view more...

John Patrick McKenzie and Ward Schumacher
Visually and thoughtfully evocative words comprise the raw material for the art of John Patrick McKenzie and Ward Schumacher. more...

Federico Solmi's Commedia dell-arte for the 21st Century
Mixing good old fashioned painting with the latest digital technologies, Federico Solmi offers captivating political theater. more...

Holly Wong
Holly Wong's "Phoenix" is composed of drawings on pieces of mylar stitched together to form "the thing with feathers." more...

Keer Tanchak & Janet Werner
In "Romantik" Keer Tanchak and Janet Werner offer a colorful feast of portraiture about women. more...

The Legacy of Selma Waldman
Ten artists respond to Selma Waldman's sobering visual commentary through their own art and statements. more...

The Museum of Art & History Reopens
The Lancaster Museum is among a growing number reopening to the public in gradual steps. Jody Zellen reviews the group of five exhibitions t more...

Art in the Plague Year
Artist and curator Douglas McCulloh speculates on how the pandemic is reshaping the future of art. more...

Laura Hapka
Laura Hapka engages modernist geometric reductivism through beeswax and humor that bathes her paintings in emotional warmth. more...

Kelsey Brookes’ Science-based Art
Form microbiologist Kelsey Brookes uses science-based systems as the conceptual base for his wildly charged abstractions. more...

Galleries & Museums
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