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Robert Williams
Center for Contemporary Art, Santa Fe, New Mexico
Recommendation by Jon Carver

Robert Williams, “Death by Exasperation,” 2010, oil on canvas, 30 x 36"

Continuing through November 27, 2016

Include Robert Williams, born in Albuquerque , NM, in the moving pantheon of artists who have advanced cartoon drawing into fine art contexts, demonstrating with panache that style can still be substantive subversion. His fellow travelers in this realm include Hogarth and Daumier, who both gave caricature fine art legs; Picasso, who subscribed to American newspapers so he could track the latest comic strip distortions; and Philip Guston, who shocked and awed his collector base when he abandoned the purity of abstraction for comic strip inspired images through the dark humor of creepily cute klansmen. Peter Saul, Elizabeth Murray, Kieth Haring, and Williams' compatriots R. Crumb, and Ed “Big Daddy” Roth are also on board the same train of aesthetic thought that has so successfully elevated the wild and wooly side of cartoon crafting to blue chip status.

While art writers aptly call it Pop Surrealism, Williams, notable also for co-founding Juxtapoz Art and Culture magazine in 1994, calls it Slang Aesthetics, an outcast visual vernacular that he has spent his lifetime developing. He describes his work and method as “grown in the wilderness” and “feral,” despite his exceptional mastery of the traditional techniques of naturalistic drawing and oil painting. If Hogarth’s great satirical painting and print cycles anticipated this, Williams is a whole lot weirder and wilder, a whole lot more sci-fi-psychedelic.

Paintings like "Purple as an Inexplicable Poetic Force," in which a dame in distress faces down the fearsome monster of mauve, and "The Decline of Sophistication," a monumental effigy on the the death of good taste (a result of Juxtapoz eclipsing the rest of the art mag market shortly after it’s inception) suggest that if imagination is the most valuable human commodity, Williams' meta-mind should be declared a national treasure. Ponder this dire conception fellow time travelers: Without Robert Williams and his fellow Zap Comix cum Kustom Kulture constituency, there would probably be no "Rick and Morty."

Center for Contemporary Arts Santa Fe | CCA

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