Juventino Aranda
In his gallery debut, Juventino Aranda treads a fine line between elegance, humor and flat out anger. Textiles replace paint but quote the likes of Mark Rothko. But the use of a Pendelton shirt also reads as a symbol of ethnicity and class. More...
“Rhona Hoffman 40 Years: Political”
The third part in a series of shows summarizing the history to date of one of Chicago's most venerable galleries is timely for its focus on political content. The varied works here reminds us that part of art's calling is to offer dissent from prevailing cultural winds. More...
Larry Bell
An original glass installation, "Pacific Red" is given context with a survey of Larry Bell's "physical vapor depositions." More...
View of a Royal Family
Asks DeWitt Cheng, how do we foster both an informed electorate and an art audience immune to hucksterism? The recent passing of culture critic John Berger reminds us the importance of uncloaking the hidden ideologies lurking within visual images. This is revealing of both truth and propaganda. More...
Madelin Coit
Madelin Coit returns to the gallery every Friday to make and add new works made from magazine paper and sheets of metal mesh. More...
Ryan Goolsby
Ryan Goolsby's "Totem" sculptures are both spare and compelling. Referential but not specifically so, carefully designed but of no utility, these objects exist on the border of the twilight world of dreams. More...
Milford Zornes
Part of the California Scene painting group during the 1930s, Milford Zornes specialized in watercolor depictions of a then unspoiled (by extensive development and traffic jams) Southern California which he would continue up until he died in 2008 at age 100. More...
Sarajo Frieden/Carol Sears
Carol Sears’ subtle line and Sarajo Frieden’s aggressive forms start in a similar manner, but results differ dramatically. More...
