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Patrick Graham
Patrick Graham derives his paintings and mixed media works from personal turbulence and connects it to collective experience. More...


Chuck Close Comes Home
If you thought Chuck Close, the master of the face who suffers from prosopagnosia, hails from New York, think again, he's from the Seattle area. More...


Damian Elwes / Shawn Huckins
Elwes and Huckins are two painters who deal with art history--both deferentially and irreverently. More...


Carmen Vetter
Carmen Vetter brings together photographs and kiln-formed glass in effectively two distinct bodies of work. The glass stands out for the clever sourcing of imagery, the use of glass powders fired on plate glass, and the feeling we get of hives of activity made engaging with the use of a formalist grid structure. More...


“Radiant Space”
“Radiant Space" is an impressive selection of glowing, translucent, transparent and reflective works of art. Deriving primarily from Light and Space, Optical and Minimalist roots, art and industrial materials add up to entryways to the transcendent. More...


Lee Godie
Both self-taught and homeless, Lee Godie managed to insinuate herself into Chicago's art history. Beyond a constant output of paintings her photo booth self-portraits are packed with intrigue and symbolism. More...


Claire Falkenstein
A lively survey of Claire Falkenstein's sculpture, paintings and prints traces her development as a self-aware modernist. From her earliest work forward, her approach to abstraction was marked by restless gestural formalism combined with a willingness to try new materials. More...


Splatters, Spurts, Sex
Erotic drawings by Sam Francis recently seen in Pasadena were an unfamiliar, uncharacteristic pleasure of frank exuberance. More...


Agnes Martin
The patient, reductive work of Agnes Martin may appear as simple as the grid template from which it grew. But it was her freedom from any preconception of what the grid might express that led her to the aesthetics of slight difference. More...

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