Nick Brandt
Nature photographer Nick Brandt drops his stunning images of threatened wildlife into sites of third world poverty and unregulated urban development. The results are both beautiful and shocking. More...
Artist Designed Sanctuaries III: Alex Grey
Alex Grey produced his "Chapel of Sacred Mirrors" over the decade of the 1980s, and moving next year to its permanent home in Wappinger, New York. It is one of the pinnacles of visionary art of the late 20th century. More...
20 Years/20 Shows
"20 Years/20 Shows" honors SITE's anniversary with exhibits featuring artists who have previously appeared in the contemporary art space. More...
Jennifer Greenburg
Jennifer Greenburg appropriates found photographs into which she inserts herself, and in so doing "Revises History". More...
Lauren Mantecón
One time Portland fixture Lauren Mantecón relocated to Santa Fe, where she continues to evoke in her paintings the misty, atmospheric sfumato of the Pacific Northwest. More...
20 Years/20 Shows
"20 Years/20 Shows" honors SITE's anniversary with exhibits featuring artists who have previously appeared in the contemporary art space. More...
Christiane Feser
Christiane Feser creates illusionistic dimensions by photographing real objects and going one better by cutting into the print's surface. More...
Miguel Soler-Roig
Miguel Soler-Roig returns to photograph his childhood home in Barcelona after 35 years. Its interiors are in disarray, as though suddenly abandoned. And the treatment of light and shadow is gorgeous. More...
Helen Lundeberg
Combining avant garde surrealism and classical illustration launched Helen Lundeberg career long journey, mapped here, to a mature abstraction. More...
Leonard Suryajaya
Leonard Suryajaya’s “Don't Hold On to Your Bones” is a visually and aurally overwhelming installation. From ceiling to floor, the artist has wallpapered the back gallery with brightly patterned, abstracted paper squares. And that's just the beginning. More...
Thomas Kinkade, Huckster of Light
The late Thomas Kinkade was the Rodney Dangerfield of the art world. He got no respect — and with good reason. But two very different Kinkade-centric exhibitions have recently revisited the question of whether the self-branded “painter of light” deserved his déclassé reputation. More...
