Leonardo Drew
Leonardo Drew spent his childhood playing in a dump near his family's home, so producing found object sculpture second nature. He turns this into visual weapons that cut to the heart of America's struggle with race relations. More...
“North Korean Perspectives”
The photography comprising “North Korean Perspectives” is centered on the search for truth amidst facades, suppression and absurdity. More...
“Interaction”
The group of artists included in "Interaction" differ widely in their aesthetics but are curated to emphasize a good deal of playful interaction, just as the title suggests. More...
Marilyn Lowey
Marilyn Lowey moves from producing light show spectacles for major events to the comparative simplicity of installations that use projected light. More...
Wallace Berman and the Dawning of the Information Age
Wallace Berman was not only a key figure in the emergence of California assemblage, but his now classic Verifax collages were remarkably prophetic in both aesthetic and technological ways. More...
Pablo D’Antoni
New paintings by Spainish-based artist Pablo D’Antoni pay homage to artists past and present, displaying a magical realist tendency in exquisite detail. Scale and shape play a key role here. More...
Darn, Trump Beat Me To It
A number of commentators have pegged the Presidential candidacy of Donald Trump as a kind of performance art, and not exactly to praise him. Bill Lasarow draws on some other aesthetic precedents to further illuminate where Trump's prospective leadership might take us. More...
“GLEAN”
The five artists contributing works to "GLEAN" were all mandated to forage through Portland's Metro Central Transfer Station. The garbage dump. Works are by turns immaculate (!), imaginative and whimsical in a show that is a pleasant surprise. More...
Constant Change
The format of the gallery exhibition has long served as the art world's model of presentation. Could that era be coming to an end? More...
