Leonard Suryajaya
Leonard Suryajaya’s “Don't Hold On to Your Bones” is a visually and aurally overwhelming installation. From ceiling to floor, the artist has wallpapered the back gallery with brightly patterned, abstracted paper squares. And that's just the beginning. More...
"Revolution in the Making ..."
"... Abstract Sculpture by Women, 1947-2016" makes the case for their key contributions to the best art of the contemporary era. More...
Eva Isaksen
Eva Isaksen builds images that complicate the picture plane by layering and overlapping collaged elements of her own paintings on paper, which she cuts up and reassembles on canvas. More...
Paige Powell
The East Village (New York) art scene of the 1980s remains a topic of wide interest, and artist and in-the-day girlfriend of Jean-Michel Basquiat Paige Powell sifts through her archive of pictures and relics to animate "The Ride" she took, and which we can now relish at the arm's length of 30 years later. More...
Betye Saar
Now approaching 90, Betye Saar long since gained prominence for assemblage work that draws on the nation's racist history. More...
Crystallography
Artists Heny Rikenma, Peter Tonningsen, Jamie Banes and Liz Hickok reference the molecular structure of crystals in a variety of ways. More...
Kenneth Callahan
Perhaps the most multi-faceted talent to emerge and play a dominant role in the advanced art of the Northwest was Kenneth Callahan. More...
“Earthworks”
Madeline Dietz, Perla Krauze and Mario Reis bring an earthworks aesthetic into the relative intimacy of a gallery environment. More...
Jackson Pollock
"Jackson Pollock: Blind Spots" is the most significant and art historically important show at this museum in decades. More...
New Experiments in Art and Technology
The nine artists of "NEAT: New Experiments in Art and Techology" salutes and updates the original "Experiments in Art and Technology" program of the 1960s. Hardly devoid of emotion, this compilation is soulful and playful. More...
Sandow Birk
Islam's sacred text and how it reverberates in modern America is the subject of Sandow Birk's "American Qur'an", an earnest and sometimes poignant interpretation that was nine years in the making. More...
“Between Two Worlds”
"Between Two Worlds: Folk Artists Reflect on the Immigrant Experience" presents the personal experience and perspective of more than 20 artists who have gone through this inherently grueling experience. More...
Fred Stonehouse
Fred Stonehouse's human-animal chimeras act out surreal and enigmatic folkloric narratives that consistently fascinate. More...
Not Vanishing / (Re)Presenting
These two museum exhibitions examine how Native Americans have been depicted and how they address contemporary issues. More...
Barry McGee
The impression of chaos is by design. Barry McGee's manic energy sharpens into a joyful but socially engaged installation. More...
“Ten: Modern Abstract”
Spotlighting how ten Arizona artists get to their own place within the broad genre of abstraction allows for some sifting. Some of the work here doesn't rise above blandness and design, but enough does to convince us its continual power to take us where we have not been. More...
David Beckley / Alexander Mouton
David Beckley and Alexander Mouton deal in their respective photography shows with the past, present and future prospects for an area referred to as “borderlands,” the north-south corridor of east central Europe running from Poland to Ukraine. More...
Alex Webb and Rebecca Norris Webb
This collaboration between photographers Alex and Rebecca Norris Webb is inspired by the closing down of Eastman Kodak's headquarters in Rochester, New York. More...
“Looking Forward Looking Back”
Shows like "Looking Forward Looking Back," an exhibition exclusively of women artists, risk replicating old barriers more than providing illuminating exposure. We get a scrappy effort here that hints at historical achievements but stays remote from the larger context. More...
“The Book of Scores”
Guest curator Chiara Giovando has the idea of a musical score in mind, the artists here making the connection but obliquely. More...
