“Living with Clay”
"Living with Clay" provides some answers to the question why some people amass large collections of ceramic art. More...
Nery Gabriel Lemus
The journeys and plights of Latin American immigrants play to the spirit of Emma Lazarus' iconic poem, but with some deeper intents. More...
Engaging with Immersive Art
Noting the recent growth in popularity of immersive art, David S. Rubin finds a focused individual experience to be a key measure of success. More...
Jay DeFeo
Dualities of flat and illusory space, thick and thin brushwork and vigorously handled against untouched surfaces are, in the hands of Jay DeFeo, rich with possibility and convincing for their authority. More...
The Quandary of Content
When you look at a painting, do you see a succession of pleasing forms or a probing inquiry into the human condition? More...
Belltown Blues
Matthew Kangas recounts the early rise of a progressive scene in Seattle, to which he returned in the late 1970s. More...
For the “LOVE” of Indiana
Robert Indiana, thanks to a single work of "LOVE," remained popular with the public for decades, while often being dismissed by the mainstream art world. Lisa Wainwright takes a deeper dive to answer why. More...
Kate Ballis
In “Hypercolour Fantasy: Infra Realism” Kate Ballis attacks the eye with a vivid spectrum of purple and indigo flora, hot pink landscapes and houses, and scarlet red and pink skies are set in and a send-up of the Palm Springs area. More...
Wendy White
Atari-era pixelated hearts underscore the vernacular of Wendy White’s collaged denim and digital prints of ads for sports cars. More...
Pat O’Neill
Pat O'Neill's “The Decay of Fiction” is a five-channel installation projected onto three walls, immersing you in a muted spectacle that is ghostly, varies in speed, and manages to be endlessly compelling to watch. More...
Mabry Campbell
Houston’s distinctive architecture serves as Mabry Campbell’s primary subject in sharply focused, dramatic photographs. Mostly black and white, included too is a color series of the James Turrell "Skyspace" at Rice University. More...
John Wilcox
A gallery size retrospective of a little know artist rarely succeeds in making its case. John Wilcox, however, is the exception. More...
William Volkersz
Dutch emigre Willem Volkersz engages mid-20th century America by way of road-trip souvenirs, ceramic figurines and travel postcards. But he is not aiming to take us on a nostalgia trip, but to reflect on where we come from to be where we are now. More...
Sam Fresquez
Sam Fresquez uses a central tunnel-like sculpture, paired with text-based objects that include wooden cubes of laser-cut calligraphy and painted palm fronds to convey the ambiguities in human experiences of family and home. More...
Donald Roy Thompson
Donald Roy Thompson returned to an "Echo Series" of paintings after about a 40 year break, and it's worth the wait. More...
Catherine Wagner
Using photography to examine social forces and institutions that shape it is Catherine Wagner's forté. She conveys the inherent beauty of scientific and cultural artifacts while maintaining an objective distance. More...
Elizabeth Turk
Deservedly renowned for her intricate carvings, these "Extinct Bird Cages" constitute an inquiry into the memorial presence of something now gone. From stunning to thoughtful, Turk's shift is dramatic but convincing. More...
Robert Adams
One of the central players of the "New Topographics" deadpan aesthetic in photography, this selection of Robert Adams' black and white photos of roads, and street of the American West may be just-the-facts snapshots or metaphors of life's journey. More...
Paul Berger
Paul Berger seemly explored multiple directions of the future of photography relatively early in his career. Berger approaches his various subject matter with an eye to altering it and transforming the way we perceive the world. More...
Maxim Walkultschik
Thousands of wood dowels dotted with paint the size of toothpicks are Maxim Walkultschik's answer to optical art. More...
