Cammie Staros, "Monster in the Maze"
In "Monster in the Maze," Cammie Staros sets up a maze-like display of bare metal studs that escorts us to each individual artwork, while providing sight lines to still see them all. More...
Cammie Staros, "Monster in the Maze"
In "Monster in the Maze," Cammie Staros sets up a maze-like display of bare metal studs that escorts us to each individual artwork, while providing sight lines to still see them all. More...
Jeffrey Chong Wang
Visual set pieces by Jeffery Chong Wang present an awkward sense of space and situations informed by historical Western painting. More...
Albert Contreras, “Albert”
Albert Contreras failed to break through in New York during the 1970s and 80s, so he worked as a garbage truck driver until returning as a successful artist. More...
Fighting: Ukrainian War Photographers
“Fighting: Ukrainian War Photographers” confronts the breadth of conflict through the lens of 16 Ukrainian artists and photojournalists. The eyes of the subjects tell the story, revealing fear, resolve, pain, and confusion. More...
Albert Contreras, “Albert”
Albert Contreras failed to break through in New York during the 1970s and 80s, so he worked as a garbage truck driver until returning as a successful artist 25 years later. Psychotherapy freed him to paint, and his optically tricky work continued for another 30 years. More...
Christopher Badger
Christopher Badger presents artworks that stem from assignments he has given to his students. On view are his own responses to prompts such as "Chemical Painting," "Computational Choreography," or "Psychological Color Theory." More...
Christopher Badger
Christopher Badger presents artworks that stem from assignments he has given to his students. On view are his own responses to prompts such as "Chemical Painting," "Computational Choreography," or "Psychological Color Theory." More...
Ambreen Butt
Ambreen Butt's “Lay Bare My Arms,” was three years in the making, and the expenditure of creative labor teems with visual incident. More...
Ambreen Butt
Ambreen Butt's “Lay Bare My Arms,” was three years in the making, and the expenditure of creative labor teems with visual incident. More...
Tim Roda, “Vantage Points”
Tim Roda's constructed-set black-and-white photographs featuring family members use jerry-rigged lumber, unfired ceramic props, kitsch elements such as plastic flamingos and snow shovels, and father, sons, and wife to activate awkward situations. More...
Josephine Taylor
How do images come into existence? Josephine Taylor provides some answers in three series of new paintings. More...
Josephine Taylor
How do images come into existence? Josephine Taylor provides some answers in three series of new paintings. More...
Ed Moses, "Emptiness is Form"
Ed Moses applied painterly gesture and manipulation in endlessly surprising ways. The tools he used to apply the paint — including squeegees, mops, squeeze bottles, house painters’ implements and hoses -- were simple but effective vehicles by which he achieved his effects. More...
Ed Moses, "Emptiness is Form"
Ed Moses applied painterly gesture and manipulation in endlessly surprising ways. The tools he used to apply the paint — including squeegees, mops, squeeze bottles, house painters’ implements and hoses -- were simple but effective vehicles by which he achieved his effects. More...
A Generational Change in Los Angeles
A generational transition has occurred among Los Angeles galleries with an influx of start-ups and outposts recently opened by established galleries in New York and elsewhere. More...
Trees, Fox & Friends
”Trees, Fox & Friends” assembles an impressive survey featuring the centrality of trees in a time of severe climate change. More...
David Schell, "Casual Plans"
David Schell's shapes are biomorphic but not figurative, geometric but not hard-edged, kinda squishy, like a grilled cheese sandwich left too long in a hot car. More...
