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An Antidote for Our Woes
Yayoi Kusama's "Infinity Rooms" are among the finest, and certainly most popular examples of the genre of interactive or immersive installation. In them you experience what it feels like to be at the core of infinity while seeing a latticework of lines moving in all directions. More...


Reversing the Gender Mirror
The reverberations of aesthetically driven feminism are apparent in the current discussion surrounding sexual harassment. More...


Polychromed
This time the Legion of Honor gets it right. "Gods in Color: Polychromy in the Ancient World" takes down a long misconstrued cultural myth. More...


What Museum-goers Really Want: Ice Cream
A new study of public cultural habits revealed that art has, for a majority of Americans, become just another form of entertainment. And nothing has recently personified this more horrifically than the trés popular Museum of Ice Cream. More...


Seattle’s Best of 2017
Matthew Kangas revisits Seattle's top exhibitions of 2017, and discovers a scene currently in a state of exceptional flux. More...


Gennaro Garcia
Phoenix artist Gennaro Garcia's vibrant mixed media paintings are a celebration of Mexico through a street art sensibility. More...


“Art of Devotion”
A selection of historical devotional objects are explicitly religious, historical and political themes permeate throughout. More...


Wu Bin
Among the most prestigious of a Chinese scholar’s personal assets, Lingbi stones are naturally formed rocks prized by scholars and collectors alike. Wu Bin’s famous 178th century handscroll, titled "Ten Views of a Lingbi Stone" is the centerpiece of a visual dialogue between the ephemeral and the eternal. More...


“The Wyeths: Three Generations”
Andrew Wyeth is the central figure of a family survey in which his father N.C. and son Jamie are effectively the bookends. More...


Richard Morhous
Early modernist models infuse Richard Morhous' 21st century approach to brilliantly colored and fragmented landscape painting. Morhouse make individual brush marks count, and his hovering abstractions of light and color are a revelation. More...

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