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“Reflections on the Yokohama Triennale”
The Yokohama Triennale’s opposition to the kind of “me-first” separatism that is so troubling back home was palpable. More...


Kimberly Brooks
Kimberly Brooks takes her painting in a new direction that she describes as "Brazen", allowing her brush to wander where it will. More...


“The Myths and Meanings of Tramp Art”
The label "tramp art," first invoked in a 1959 magazine article, implies transience. "No Idle Hands" tells a different story. More...


“Monet’s Etretat”
Claude Monet's pair of ethereal paintings of the cliffs at the north coastal town of Etretat are paired with those of William Henry Lippincott and George Inness. It is an opportunity to examine the influence of the master of French Impressionism on American contemporaries. More...


The Kangas Six
The third Seattle Art Fair drew a large and diverse audience. Matthew Kangas discusses a half dozen artists who stood out for their ability to absorb and connect multiple genres to bring together memorable ideas with ambitious studio practice. More...


Carlos Almaraz
Carlos Almaraz dies prematurely, but the vibrancy of this retrospective convinces the key role he played in elevating the ambitions of the L.A. Chicano movement of the 1970s and 80s. More...


Mary Corse
Mary Corse spare but muscular version of reductivist painting and installation over a half century is summarized in this extended visual mantra. More...

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