Diane Arbus
The photography of Diane Arbus served to expand our understanding of the human species. As curated by Carrie Mae Weems they meld the aesthetic with the political. More...
Jason Karolak, “Fictionless”
Jason Karolak uses oil on linen to create luminous compositions of neon-like color that jumps off from black backgrounds. The point of view shifts constantly in these imperfect geometries. More...
Brian Sanchez and Neon Saltwater, “Energy Drink”
Brian Sanchez and Neon Saltwater collaborate on the immersive installation "Energy Drink," an extravaganza of light and color that is a domestic and hallucinatory fun house. More...
Cannupa Hanska Luger
In Cannupa Hanska Luger's "Something to Hold Onto," strands of unfired clay beads hang suspended in a circular form, each one symbolizing a person who died in the southwest borderlands. More...
Tom Uttech, “Origin”
The recently renamed and reopened Figge Museum features a single, fortuitous painting by spiritual landscapist Tom Uttech. More...
Maggie Crowley and Joanne Aono
In their respective exhibitions Maggie Crowley and Joanne Aono address the dignity of work and the relative invisibility of so many laborers. More...
Martha Alf
David S. Rubin revisits the contributions of Martha Alf through a small but carefully curated cross section of works. More...
The Museum of Art & History Reopens
The Lancaster Museum is among a growing number reopening to the public in gradual steps. Jody Zellen reviews the group of five exhibitions that the museum features. More...
Laura Hapka
Laura Hapka engages modernist geometric reductivism through beeswax and humor that bathes her paintings in emotional warmth. More...
Art in the Plague Year
Artist and curator Douglas McCulloh speculates on how the pandemic is reshaping the future of art. More...
Neal Ambrose-Smith
Narrative works bye Neal Ambrose-Smith rearrange iconic symbols and tell a story without a clear beginning or end. More...
